John le Carré’s The Spy Who Came in From the Cold

A literary classic as thrilling as any airport paperback

 

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I moved to Washington D.C. shortly after my college graduation. Having studied literature, attempted to write fiction, and reported for the school paper, I landed a job at The Atlantic during the run-up to the Iraq War, and quickly found myself in over my head in politics and foreign affairs.

At dinner at the magazine owner’s home on Embassy Row, I sat between a former CIA director and a Times columnist as they debated the new imperialism. At drinks with another reporter, “Chalabi’s guys” showed up. And from our maze of cubicles in the Watergate building, a fellow staffer (now an editor at this magazine) took off for Istanbul carrying body armor and $10,000 in small bills to resupply our Baghdad correspondent.

The material and my imagination quickly overflowed the squibs I was writing for the magazine, so I put it all into fiction. I was writing and rewriting endlessly, stuck, searching for a way to triangulate between the literary writing I had studied, the real-life intrigue all around me, and the thriller novels and blockbusters I had grown up on.

Enter John le Carré’s The Spy Who Came in From the Cold (1963), as moving and brilliant a novel as any of the classics I had read and as propulsive and gripping as any airport paperback. I never imagined a writer could have it all in one book: a perfect machine of fast pace, twists, and suspense; a profound tragedy as hard and uncompromising as the realist novels we’d pored over in my college seminars; and at the height of the Cold War, a shockingly clear-eyed account of the moral compromises built into the work of intelligence agencies, both East and West. Oh, and a tear-wringing love story, all in a mere 256 pages.

Le Carré led me to others who bridged the popular/literary divide—Graham Greene, Raymond Chandler, Dashiell Hammett, William Goldman—and the realization, not particularly earth-shattering but a breakthrough for me at the time, that there is no line between art and pop. There are only good stories.

Permission required for reprinting, reproducing, or other uses.

Matthew Quirk is a novelist. His latest book, Cold Barrel Zero, will be published in March.

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