Joseph Horowitz

Joseph Horowitz’s forthcoming book is a novel about Anton Seidl and Wagnerism in America, The Disciple: A Wagnerian Tale of the Gilded Age. His books-in-progress are Bearing Witness: The American Odyssey of Leonard Bernstein and Why Ives? A Celebration of Cultural Memory.

The Enigma of Ur

Is the music of the future one in which form and structure give way to an aesthetic inspired by the primordial?

By Joseph Horowitz | Thursday December 18, 2025

Lessons in the Diplomatic Arts

Notes from a musical tour of South Africa

By Joseph Horowitz | Thursday July 3, 2025

Song for the Earth

Finding a message for today in the music of Gustav Mahler

By Joseph Horowitz | Monday March 31, 2025

The Baritone as Democrat

How Lawrence Tibbett prophesied the Metropolitan Opera crisis of today

By Joseph Horowitz | Thursday November 21, 2024

Anchoring Shards of Memory

We don’t often associate Charles Ives and Gustav Mahler, but both
composers mined the past to root themselves in an unstable present

By Joseph Horowitz | Monday September 9, 2024

Consummated in Exile

A new recording of Rachmaninoff’s Symphonic Dances conveys the breadth of the 20th-century composer’s life’s journey

By Joseph Horowitz | Friday June 14, 2024

Ripeness Is All

What may be the fate of classical music’s new superstars?

By Joseph Horowitz | Thursday April 11, 2024

The Homesick Composer

Sergei Rachmaninoff may have taken American citizenship in 1943, but his heart and soul remained in his Russian past

By Joseph Horowitz | Friday January 26, 2024

Shostakovich in South Dakota

A manifesto for the future of American classical music

By Joseph Horowitz | Thursday September 7, 2023

Our Revels Now Are Ended

What the pandemic portends for the performing arts in America

By Joseph Horowitz | Monday December 7, 2020

Porgy and Bess at the Met

By Joseph Horowitz | Wednesday October 9, 2019
Black-and-white photo of composer William Levi Dawson

New World Prophecy

By Joseph Horowitz | Friday September 13, 2019

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