The Peacock Problem
What does evolution say about why we make art?
By Alexander Nehamas Sunday, March 1, 2009
The Art Instinct By Denis Dutton
The Man Who Shot the Man Who Shot Lincoln
The hatter Boston Corbett was celebrated as a hero for killing John Wilkes Booth. Fame and fortune did not follow, but madness did.
By Ernest B. Furgurson Sunday, March 1, 2009
Vibrato Wars
Elgar, served neat and unshaken, stirs up the Brits
By Sudip Bose Sunday, March 1, 2009
Founding Portraitists
By Fergus M. Bordewich Sunday, March 1, 2009
The Painter’s Chair: George Washington and the Making of American Art By Hugh Howard
Visions and Revisions
Writing On Writing Well and keeping it up-to-date for 35 years
By William Zinsser Sunday, March 1, 2009
Literary Cubs, Canceling Out Each Other’s Reticence
Letters between Federal Writers’ Project cohorts Richard Wright and Nelson Algren depict a mutual admiration rare among young novelists
By David A. Taylor Sunday, March 1, 2009
The Terminator Comes to Wall Street
How computer modeling worsened the financial crisis and what we ought to do about it
By Joseph Fuller Sunday, March 1, 2009
The Peacock Problem
Does sexual selection really explain enough?
By Priscilla Long Sunday, March 1, 2009
The Genial Gene: Deconstructing Darwinian Selfishness By Joan Roughgarden
Purpose-Driven Life
Evolution does not rob life of meaning, but creates meaning. It also makes possible our own capacity for creativity.
By Brian Boyd Sunday, March 1, 2009
Second Chances, Social Forgiveness, and the Internet
We need the means, both technological and legal, to replace measures once woven into the fabric of communities
By Amitai Etzioni Sunday, March 1, 2009
The Potency of Breathless
At 50, Godard’s film still asks how something this bad can be so good
By Paula Marantz Cohen Sunday, March 1, 2009
