Something New in the West

Kurt Beals on translating All Quiet on the Western Front

German Trenches on the Aisne during the First World War, possibly around 1914 (Library of Congress)
German Trenches on the Aisne during the First World War, possibly around 1914 (Library of Congress)

I am deeply skeptical of lists of “must-read” classics or “greatest” whatever books, because inevitably we all have different criteria. But every so often I get to a famous book late—whether it’s Anna Karenina, Ulysses, or Beloved—and think, what took me so long? Erich Maria Remarque’s All Quiet on the Western Front, originally published in 1929, is one such book, but in this case, I’m actually glad I didn’t get to it earlier, because a new translation is out this year that does the German justice. Kurt Beals brings an immediacy to what has been called the greatest war novel of all time, refreshing the text for a new generation of readers who might have only seen the Netflix version of Paul Bäumer and his comrades navigating the trenches of the First World War. Reworking a classic is challenging, but, as Beals writes in his introduction, the greater ordeal was “to spend months with these young soldiers, in the trenches and in their heads, to know them intimately enough to give them new voices in a new language, and then to watch them die.”

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Stephanie Bastek is the senior editor of the Scholar and the producer/host of the Smarty Pants podcast.

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