David Lehman

David Lehman, a contributing editor of the Scholar, is a poet, a critic, and an editor. Ithaca, his new book of poems, won The New Criterion Poetry Prize for 2025. He runs the “Next Line, Please” poetry feature on our website.

Homage to the Uncanny

Dead of Night (1945), a masterpiece of horror

By David Lehman | Thursday February 29, 2024

How Well Do You Know Your Hitchcock?

A multiple-choice test for the maestro’s fans

By David Lehman | Friday January 19, 2024

“Mr. Lucky” Didn’t Know Who He Was

How Cary Grant’s magical film career paralleled a lifelong identity crisis

By David Lehman | Thursday September 28, 2023

Brilliant Carnage

Sam Peckinpah’s slow-motion bullet ballet

By David Lehman | Thursday February 23, 2023

What Hath Gable Got?

“Rhett Butler” romances Claudette Colbert in Frank Capra’s comic masterpiece It Happened One Night

By David Lehman | Monday November 28, 2022

The Allure of the Enigmatic

“Mod” London takes center stage in Michelangelo Antonioni’s mind-blowing Blow-Up

By David Lehman | Thursday August 25, 2022

Famous Last Lines

How many do you know by heart?

By David Lehman | Thursday July 21, 2022

The Last Cigarette

Cinema’s most seductive prop

By David Lehman | Saturday May 14, 2022

The Plot to Kill de Gaulle

Fred Zinnemann’s “clock management” in The Day of the Jackal

By David Lehman | Saturday March 5, 2022

The Prophecy of an Assassination

John Frankenheimer’s prescient 1962 film, The Manchurian Candidate

By David Lehman | Saturday January 22, 2022

A Photographer in Words

By David Lehman | Tuesday March 17, 2026

Why Lee Wiley? 

By David Lehman | Monday March 2, 2026

Resolutions or Regrets

By David Lehman | Monday February 9, 2026

A Leap Without a Safety Net

By David Lehman | Monday November 10, 2025

Let’s Write a Villanelle

By David Lehman | Monday October 6, 2025

The Stolen Lines

By David Lehman | Monday September 1, 2025

“Dead Man’s Hand”

By David Lehman | Monday August 4, 2025

Why Go On?

By David Lehman | Monday July 7, 2025

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