Bathing Badasses

Vicki Valosik gets submerged in the history of synchronized swimming

A poster for <em>Million Dollar Mermaid</em> depicting one of the movie’s iconic water ballet scenes (Public domain)
A poster for Million Dollar Mermaid depicting one of the movie’s iconic water ballet scenes (Public domain)

Synchronized, scientific, ornamental, fancy, pretty: so many adjectives have been attached over the years to performative swimming, especially when done by women. Now known at the highest level as “artistic swimming,” it was for decades one of the few athletic activities women could pursue, albeit in uncomfortable, baggy, and not exactly aerodynamic attire. Despite—or perhaps because of—its popularity, synchronized swimming’s status as a legitimate, elite sport would be contested for just as long—until 1984, in fact, when it finally debuted at the Los Angeles Olympics in all its sparkly glory. In her new book, Swimming Pretty, Scholar contributor Vicki Valosik dives into “the untold story of women in water,” from Victorian starlets like Lurline the Water Queen to Annette Kellerman, the godmother of synchronized swimming and the woman we can all thank for not having to wear petticoats in the water. 

Go beyond the episode:

  • Broadside of Lurline the Water Queen in her tank at the Circo Price in Portugal (Distinctive Collections, University of Rhode Island Library)
  • Aquabelles and Aquabeaux swim in unision at Billy Rose’s New York Aquacade, 1939 (Donald G. Larson Collection on International Expositions and Fairs, Special Collections Research Center, Fresno State Library, California State University, Fresno)

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Stephanie Bastek is the senior editor of the Scholar and the producer/host of the Smarty Pants podcast.

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