Christmas Movies Beyond the Expected

Six films to shake up your holiday viewing

The Highest Achievement of American Film Noir

Stanwyck, MacMurray, and Robinson at their best in Billy Wilder’s Double Indemnity

To Dance an Exclamation Point

The case for An American in Paris as Gene Kelly’s best

For Every Season, a Classic Holiday Movie

Three films fit for fall

Fedora, Trench Coat, Cigarette, and Gun

Humphrey Bogart’s legacy as an unconventional heartthrob

The First Lady of Noir

Celebrated actress Ida Lupino directed The Bigamist and other taboo-busting films

Blind Accidents

How John Huston’s The Asphalt Jungle brilliantly epitomizes the caper film

Blonde Venus

The mystique of Marlene Dietrich

A Reluctant Spy’s Conversion

Revisiting George Seaton’s underrated 1962 film, The Counterfeit Traitor

Hamlet vs. the Nazis

A look back at Ernst Lubitsch’s 1942 movie, To Be or Not To Be

Homage to the Uncanny

Dead of Night (1945), a masterpiece of horror

How Well Do You Know Your Hitchcock?

A multiple-choice test for the maestro’s fans

“Mr. Lucky” Didn’t Know Who He Was

How Cary Grant’s magical film career paralleled a lifelong identity crisis

Brilliant Carnage

Sam Peckinpah’s slow-motion bullet ballet

What Hath Gable Got?

“Rhett Butler” romances Claudette Colbert in Frank Capra’s comic masterpiece It Happened One Night

The Allure of the Enigmatic

“Mod” London takes center stage in Michelangelo Antonioni’s mind-blowing Blow-Up

Famous Last Lines

How many do you know by heart?

The Last Cigarette

Cinema’s most seductive prop

The Plot to Kill de Gaulle

Fred Zinnemann’s “clock management” in The Day of the Jackal

The Prophecy of an Assassination

John Frankenheimer’s prescient 1962 film, The Manchurian Candidate

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