Ground Truths

Edward McPherson zooms in on the aerial view

From the cover of <em>Look Out</em>, designed by Arsh Razluddin
From the cover of Look Out, designed by Arsh Razluddin

In ancient Greece, the view from on high was known as catascopos, or “the looker-down.” It’s a privileged perspective, and in the modern world, one increasingly taken by machines: drones, satellites, spy cameras, airplanes, sentient doorbells. In his new book, Look Out: The Delight and Danger of Taking the Long View, Edward McPherson surveys the cultural history of top-down and far-ranging perspectives from aviation and warfare to quarantine and protest. “We continue to make decisions based on the big picture,” he writes. “Politicians and planners confront the challenges of today with lofty intelligence, always pointing to the forest, not the trees.” Often that view can be obscuring, even as its accuracy is hailed. Consider the dead civilians mistaken for combatants in drone warfare the world over, or the wrong face recognized on CCTV. And in some cases, the forest isn’t even there, as in John B. Bachelder’s birds-eye map of Gettysburg and its imaginary copse of trees. Is distance the straightest path to truth? What dangers lie in prioritizing the big picture? McPherson joins Smarty Pants to muddle through the trees.

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Stephanie Bastek is the senior editor of the Scholar and the producer/host of the Smarty Pants podcast.

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