In 1956, John Okada wrote the first Japanese-American novel, No-No Boy, a story about a Nisei draft-resister who returns home to Seattle after years in prison. It should have been a sensation: American literature had seen nothing like it before. But the book went of print, Okada never published again, and the writer died in obscurity in 1971. That would have been the end of the story, were it not for a band of Asian-American writers in 1970s California who stumbled upon the landmark novel in a used bookshop. Frank Abe, one of the co-editors of a new book about Okada—and a friend to the “CARP boys” who discovered him—joins us to talk about the era in which No-No Boy was written and what the novel can teach us about our own moment in history.
Go beyond the episode:
- John Okada: The Life and Rediscovered Work of the Author of No-No Boy
- No-No Boy by John Okada
- Watch Frank Abe’s film about the Japanese-American draft resisters, Conscience and the Constitution
An incomplete list of the best literature about the hyphenated American experience:
- Americanah by Chimamamda Ngozi Adichie
- The Amazing Adventures of Kavalier & Clay by Michael Chabon
- The House on Mango Street by Sandra Cisneros
- Breath, Eyes, Memory by Edwidge Danticat
- Middlesex by Jeffrey Eugenides
- The Reluctant Fundamentalist by Mohsin Hamid
- The Woman Warrior by Maxine Hong Kingston
- The Comfort Women by Nora Okja Keller
- Lucy by Jamaica Kincaid
- Interpreter of Maladies by Jhumpa Lahiri
- Native Speaker by Chang-Rae Lee
- The Sympathizer by Viet Thanh Nguyen
- The Joy Luck Club by Amy Tan
- Do Not Say We Have Nothing by Madeleine Thien (close enough!)
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